On p. 46, Henry tells Fenton that Will needs to get back into Ian's office to get his hat. Fenton throws him the key, and Will lets himself myself into Ian's office. Fenton is giving Will a chance to get out of the jam he's in if he can find what he need. He looks everywhere, but no key. He gets his hat, though, so he feels calmer. The key didn't work and he has his hat. He's back within his comfort zone.
What do you think of this? What are your ideas? I'd like to know. Post a comment.
Writing is, to me, an entrepreneurial activity. Entrepreneurial ideas are the life's blood of my writing and real estate practice. For entrepreneurial ideas go to www.hatman2.blogspot.com and for entrepreneurial real estate go to www.yourstopforrealestate.com/blog
Showing posts with label Keys Opening Doors. Show all posts
Showing posts with label Keys Opening Doors. Show all posts
Saturday, April 4, 2009
Keys
Tuesday, March 24, 2009
Keys, Locking Devices, Killers and Meaning.
Ben says on p. 37, "Those keys, nothing between me and them, I die." Henry asks him where he got that idea. From Professor Wenger, his teacher, Ben says. Then...
"Those keys are your friends," said Henry, sounding even kinder.What Will must have been thinking is not revealed to us. In fact I just realized that there's a link here between Ben and Will: fear of keys.
Ben shook his head. "Keys kill. Keys kill." [He senses danger in the keys, that the music so unlocked with consume him. He's afraid of that. Wenger once said the those keys would kill him unless he worked on developing his skill, an awful thing to say.]
"Well it was nice to see you again, Ben," Henry said.
For Ben, keys are things that operate a piano, that unlock the music. For Will, keys are things that unlock doors. Of course music is a door to another world, but that's another thing.
There's an idea for a book: a music student who takes a job in a locksmith shop to support himself and he studies to be a concert pianist.
And there's quadruple meaning here. Keys unlock doors. Keys allow playing the piano. Keys access the emotional depth of music. Keys are islands, as in the Florida keys. What do they unlock?
What do you think about this? Can we talk about writing here? Post a comment.
Writing is, to me, an entrepreneurial activity. Entrepreneurial ideas are the life's blood of my writing. For my entrepreneurial course, Entrepreneurship on Line, go to www.hatman2.blogspot.com. For entrepreneurial real estate to www.yourstopforrealestate.com/blog.
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Synopsis:
Ian Kearney, the director of the Kearney Music School, an elite musical training school in Philadelphia, dies after a fall from a balcony during a recital. World-famous cellist, Henry Harrier, recently forced from the faculty, returns to investigate Ian's death when his prized former student is arrested. Henry shows through his brilliant and single-minded pursuit of the truth that, as usual, they have it all wrong. This Sherlock Holmes-type mystery leads the reader through the world of classical music and lays bare the conflicts which dominate the lives of talented adolescents when placed under the pressure of studying for a demanding, stressful, and often elusive career as a classical music performer. Henry Harrier is part John Le Carre's George Smiley, part Arthur Conan Doyle's Holmes, and part Orlando Cole the beloved teacher, renowned chamber musician, and until his own retirement, the premier cellist of the Curtis Institute.Author Profile:
Tim was born in Pittsfield, Massachusetts, on January 30, 1946. In 1951 he moved with his family to Schenectady, New York, where he lived through high school. He attended Baldwin-Wallace College, Berea, Ohio, from 1964 to 1968. He graduated in 1968 with a B.A. in history and philosophy. He received his Ph. D. in history in U.S. history in 1980 from the University of Wisconsin-Madison after spending 2.5 years in the U. S. Army. Most of his army service was completed in Wuerzburg, Germany, from 1969-1971. In 1972 he returned to Madison to complete his doctoral study. His dissertation, Those Who Moved; Internal Migrants in American 1607-1840, combined the statistical analysis of genealogical and biographical data with the study of traditional literary diaries, letters, and journals.Tim was a market and survey research consultant from 1983 to 2000 and a smoking cessation researcher from 2000 to 2003. His consulting practice focused primarily on conducting community health needs assessment. He authored hundreds of market research reports and published a number of his assessments in Community Health Needs Assessment published by McGraw Hill in 1996 and in a revised volume published in 1999. In 2000 he joined the staff of the Center for Tobacco Research and Intervention of the University of Wisconsin-Madison where he conducted smoking cessation research. He published several articles in peer-reviewed journals and spoke at national smoking cessation conferences.
In 2003 he moved to Philadelphia and earned his real estate license. He now practices real estate, works on publishing his novels, and studies and teaches entrepreneurship.Tim has written a dozen novel-length stories, a volume of short stories, and about a 3-foot stack of pages poetry. He is currently working on earning his 4th million in real estate sales, publishing his novels, and working on an entrepreneurish handbook as a support for his students.
Tim is a trained violist and an experienced string quartet player. He is an avid listener to classical music and regularly attends classical music concerts. He has two grown children by his first wife and a stepdaughter with his second wife. He likes to cook, read, write, entertain, develop relationships, and help other people. Formerly Tim used to travel frequently. He doesn't so much anymore. Now he regards the combination of real estate practice, writing and publishing, and the teaching and studying of entrepreneurship as enough of a trip.
