Showing posts with label Kafka. Show all posts
Showing posts with label Kafka. Show all posts

Monday, April 13, 2009

Kafka's Burrow.

Jennifer Toth in Mole People; Life in the Tunnels Beneath New York City Chicago Review Press, 1993, reminds us of Franz Kafka's short story, The Burrow . See Nahum N. Glatzner ed., Franz Kafka, the Complete Stories (New York: Schocken Books, 1971), pp. 325-359.

Kafka's burrowing entity, we don't know whether it's a person, some super-conscious rodent, or Dostoevsky's voice from Notes from the Underground, goes on and on about the burrow he, she, or it has built.

The narrator says on p. 318,

My constant preoccupation with defensive measures involves a frequent alteration or modification, though within narrow limites, of my views on how the building can best be organized for that end.
Go on and read the whole short story. Each sentence contains a whole world.

What do you think about this? Can we talk about writing here? Post a comment.

Writing is, to me, an entrepreneurial activity. Entrepreneurial ideas are the life's blood of my writing. For my entrepreneurial course, Entrepreneurship on Line, go to www.hatman2.blogspot.com. For entrepreneurial real estate to www.yourstopforrealestate.com/blog

Tuesday, March 10, 2009

Franz Kakfa's The Trial

What happens when you don't go to what's inside you, but it comes out when you least expect it?

Franz Kafka's "K" found this out in his novel The Trial [New York, Alfred A. Knopf, 1992, p. 1] Here's how Kafka's insides came out:

"Someone must have been telling lies about Joseph K., for without having done anything wrong he was arrested one fine morning...At once there was a knock at the door and a man entered whom he had never seen before in the house. He was slim and yet well knit, he wore a closely fitting black suit furnished with all sorts of pleats, pockets, buckles, and buttons, as well as a belt, like a tourist's outfit, and in consequence looked eminently practical, though one could not quite tell what purpose it served. 'What are you?' asked K., half raising himself in bed.
What a perfect discussion, in highly symbolic terms of course, of meeting up with your subconscious as though it were a person calling on you. Knocking at the door. Mirroring your own appearance. Not having a clue as to what it is. Joseph K spends the rest of the novel trying to get a handle on himself until he dies trying.

Kafka gave Max Brod clear instructions to destroy all his stuff upon his death. What a gift to us that Max couldn't do it. I would be a poorer man today with Kafka's work on my bookshelf.

What do you think? I'd like to know. Post to this blog.

Writing is for me an entrepreneurial activity. For my entrepreneurship blog, to go www.hatman2.blogspot.com and for entrepreneurial real estate go to www.yourstopforrealestate.com/blog

Saturday, December 6, 2008

Will's Character, Part 14--Invisibility

On p. 15, Will shows us his unique ability to become invisible. Henry comments on it after his interview of Fenton Kearney. Here's this interaction between Henry and Will, Henry speaking first:

'Do you know you were very good back there?'
'I was?' I said.
'I almost thought you'd become invisible.'
This idea of invisibility interests me. Joni Mitchell has a song about wishing she had a river so she could sail away. Kind of the same thing. In fact, I have the beginning of a novel about it. Ralph Ellison of course wrote his terrific novel Invisible Man. H.G. Wells wrote his novel, The Invisible Man , and H.F. Saint wrote his very engrossing Memoirs of an Invisible Man, published in 1987. There's also a non-fiction book entitled How to Become Invisible showing how to not show up anywhere so you can't be found. I'm interested, though, in a character who really is invisible. Sort of like Kafka's Gregor, who turns into some big cockroach-like bug in The Metamorphosis, the only short story Kafka ever finished, and one of my all time favorite short stories. These are all interesting stories. I recommend them to you.

Anyway, if you're interested in invisibility, or anything else about this novel, post a comment. I'd like to know.

Entrepreneurship informs all my professional activities. Entrepreneurial ideas supply their life's blood. For my entrepreneurial ideas, go to www.hatman2.blogspot.com and for my ideas on entrepreneurial real estate, go to www.yourstopforrealestate.com/blog.

Synopsis:

Ian Kearney, the director of the Kearney Music School, an elite musical training school in Philadelphia, dies after a fall from a balcony during a recital. World-famous cellist, Henry Harrier, recently forced from the faculty, returns to investigate Ian's death when his prized former student is arrested. Henry shows through his brilliant and single-minded pursuit of the truth that, as usual, they have it all wrong. This Sherlock Holmes-type mystery leads the reader through the world of classical music and lays bare the conflicts which dominate the lives of talented adolescents when placed under the pressure of studying for a demanding, stressful, and often elusive career as a classical music performer. Henry Harrier is part John Le Carre's George Smiley, part Arthur Conan Doyle's Holmes, and part Orlando Cole the beloved teacher, renowned chamber musician, and until his own retirement, the premier cellist of the Curtis Institute.

Author Profile:

Tim was born in Pittsfield, Massachusetts, on January 30, 1946. In 1951 he moved with his family to Schenectady, New York, where he lived through high school. He attended Baldwin-Wallace College, Berea, Ohio, from 1964 to 1968. He graduated in 1968 with a B.A. in history and philosophy. He received his Ph. D. in history in U.S. history in 1980 from the University of Wisconsin-Madison after spending 2.5 years in the U. S. Army. Most of his army service was completed in Wuerzburg, Germany, from 1969-1971. In 1972 he returned to Madison to complete his doctoral study. His dissertation, Those Who Moved; Internal Migrants in American 1607-1840, combined the statistical analysis of genealogical and biographical data with the study of traditional literary diaries, letters, and journals.

Tim was a market and survey research consultant from 1983 to 2000 and a smoking cessation researcher from 2000 to 2003. His consulting practice focused primarily on conducting community health needs assessment. He authored hundreds of market research reports and published a number of his assessments in Community Health Needs Assessment published by McGraw Hill in 1996 and in a revised volume published in 1999. In 2000 he joined the staff of the Center for Tobacco Research and Intervention of the University of Wisconsin-Madison where he conducted smoking cessation research. He published several articles in peer-reviewed journals and spoke at national smoking cessation conferences.

In 2003 he moved to Philadelphia and earned his real estate license. He now practices real estate, works on publishing his novels, and studies and teaches entrepreneurship.Tim has written a dozen novel-length stories, a volume of short stories, and about a 3-foot stack of pages poetry. He is currently working on earning his 4th million in real estate sales, publishing his novels, and working on an entrepreneurish handbook as a support for his students.

Tim is a trained violist and an experienced string quartet player. He is an avid listener to classical music and regularly attends classical music concerts. He has two grown children by his first wife and a stepdaughter with his second wife. He likes to cook, read, write, entertain, develop relationships, and help other people. Formerly Tim used to travel frequently. He doesn't so much anymore. Now he regards the combination of real estate practice, writing and publishing, and the teaching and studying of entrepreneurship as enough of a trip.